Traitorfish
The Tighnahulish Kid
Property is clobbering; we've already established that. Even you admitted that you support it merely as a path of lesser clobbering.
Property is clobbering; we've already established that. Even you admitted that you support it merely as a path of lesser clobbering.
I said that you believe this to be case, not that I agree. The overtly anti-clobbering aspect of my argument would seem to make it clear that I do not.
Then why are you opposing private property and stripping people of the right to eat in the same sentence?
Why would it descend into hell? It's not simply assumed, or at least not in grown up political theory, that models you don't like find their logical conclusion in Mad Max-style hellscapes until proven otherwise. Unless you have some reason for why this would happen, which we are yet to find ourselves furnished with, then I can hardly go about refuting it. All you've got so far is the starving musician, which is a wholly insufficient example because, his problems are entirely contextual to a world of private property. (Not to mention the fact that musicians are becoming less reliant on album sales anyway, so it's not even a very good example within its own limited terms.)Now you're just being snarky. You have yet to make any argument for your way not to descend into hell except to claim that people will behave in manners utterly different from 99.9% of human existence from the dawn of time. Since you cannot even make an argument as to why that would be true, much less defend such an argument, I have no choice but to assume that it is false.
Not unfair, but the problem we encounter here is that natural rights theory- of any particular sort- is not the "null hypothesis", as it were, but something which would require some argument that we've yet to see made in this thread. If we don't chose to assume any such model of natural rights, and I do not, then all we're left with is an understanding of property as people engaging in arbitrary acts of coercion; that it is nothing but violence(/clobbering).I can't help but thing that this three page discussion of 'violence' (or 'clobbering') is something of a digression. Violence seems like a moral epiphenomenon to me. Sometimes the application of violence is right and sometimes obligatory; merely asserting that a given action is violent does not imply that that action is wrong. Nor does the fact that a given claim might require violence to enforce it imply that that claim is morally suspect (consider: my claim to use my body as I like may require such enforcement, is it thereby a claim we should reject?).
Given that, we cannot judge the validity of property rights on whether they require violent enforcement. Nor can we judge the abrogation of a property right on whether that abrogation is 'violent'. The violence in either case might be perfectly justified, just in case the rights are perfectly justified. The validity of the violence will depend on the validity of the right, rather than vice versa.
So what, you didn't read my post at all? I can't see how you could hold this position after my post that came well before this comment.
Logically let's think through this. If someone decided to collect dust, dander, and mold and sold them to homeowners, and nobody bought it, by your logic you would be telling that person they had to starve. Well shoot, of course they'd have to starve (in a system absent of charity, welfare, etc) they picked a terrible job. There's no reason why a musician "has to eat" over anyone else.
That said, we've seen that "pay what you want" (including free), concert performances, and the convenience of store sold music (this is a big one), has provided some musicians with plenty of money. Most musician-artists who couldn't do the aforementioned aren't making money with copyright anyway.
The fact is, the government through copyright is basically saying "we value music to the point that we will employ force to make sure those consuming it are subsidizing our music." We might agree that this is good, but it's still more violent.
Cutlass I agree that a completely free-for-all, anarcho-capitalist, market results in more violence both from market equilibrium and the lack of state-violence-monopoly, but the fact is copyright is an example of greater, not less overall violence.
Why would it descend into hell? It's not simply assumed, or at least not in grown up political theory, that models you don't like find their logical conclusion in Mad Max-style hellscapes until proven otherwise. Unless you have some reason for why this would happen, which we are yet to find ourselves furnished with, then I can hardly go about refuting it. All you've got so far is the starving musician, which is a wholly insufficient example because, his problems are entirely contextual to a world of private property. (Not to mention the fact that musicians are becoming less reliant on album sales anyway, so it's not even a very good example within its own limited terms.)
Besides, if we're going down this silly "human nature" route, you're the one arguing that people can be expected to successfully abandon millennia of precedent, not me. This "private property" stuff is entirely newfangled compared to good, old fashioned communalism, and there's no way at all of knowing how it'll turn.
What are you talking about? What "future" have I "sketched", and when?I have no ability to believe in a utopia.You present a very sketchily drawn out future that doesn't have enough substance to it to be attractive to more than a tiny minority of the population, and think that people will adopt it without being coerced into it. If you want to make a case that people in mass will adopt it freely, you'll have to do better than that.
Not unfair, but the problem we encounter here is that natural rights theory- of any particular sort- is not the "null hypothesis", as it were, but something which would require some argument that we've yet to see made in this thread. If we don't chose to assume any such model of natural rights, and I do not, then all we're left with is an understanding of property as people engaging in arbitrary acts of coercion; that it is nothing but violence(/clobbering).
So you're making a distinction between if IP is popular versus not popular. Well what if I was the first one to say "it's a double edged sword" and everyone starts using that expression. It becomes very popular. Now, what if I decided I wanted my job to be someone who comes up with witty or useful sayings. Am I therefore immediately being deprived of sustanence by a lack of copyright? Well, yeahI read it, I just don't really agree with it. Any given musician, if people don't like his work well enough to listen to it, then they are in no way obligated to listen to it, and so are in no way compelled to pay for it. So you're example of what you think logically follows from what I said is false. You failed to understand my point. Just because someone holds a copyright does not mean that they will get any revenue from that product. If no one wants it, no one wants it. And the supplier has to try again.
But, if someone creates something that is popular, then why should they be stripped of the ability to prosper by doing so? If people choose to listen to it, but refuse to pay for it, then the artist has exactly as little income as the person who creates something no one chooses to listen to.
And we're all the poorer because of it.
Any given musician, if people don't like his work well enough to listen to it, then they are in no way obligated to listen to it, and so are in no way compelled to pay for it.[...]
But, if someone creates something that is popular, then why should they be stripped of the ability to prosper by doing so? If people choose to listen to it, but refuse to pay for it, then the artist has exactly as little income as the person who creates something no one chooses to listen to.
Private property, however, is not renegotiable; that is what makes it historically significant. It is not a claim of access or utilisation derived from the community, but a claim of absolute disposal; it is in principle asserted by the individual, rather than agreed upon by the community. Because this is not a consensual form of ownership-attribution, not something that we actively volunteer to participate in, it is therefore something that must be enforced; an agreement that we are threatened with or subjected to violence if we fail to adhere to.
He, or any other person, should never have the privilege to use the state's judicial and police machinery to forcefully extract money from anyone who so much as repeats what he "created". This has not even been a business model to support the authors of music: don't they often complain that the distributors are the ones reaping most of the profits? .